“Modern Architecture died in St Louis, Missouri on July 15, 1972 at 3.32 p.m. (or thereabouts) when the infamous Pruitt-lgoe scheme, or rather several of its slab 3 blocks, were given the final coup de grace by dynamite.”_Charles Jencks

“現代建筑于1972年7月15日下午3點32分（左右）死于密蘇里州圣路易斯，當時臭名昭著的Pruitt-lgoe計劃或其中一些板塊3塊被炸藥給予最后的致命一擊?！闭部怂?/span>

This project designed by Giacomo Pala is an attempt of developing an investigation about the possibility of having multiple objects contradicting each-other. Instead of a single Object Ontology, this design is a “Motley Ontologies” architecture sided against all of the architectural positivisms. It is an architecture that invokes an ironic, parodic and self-parodic conception of the discipline within the Avant-Garde agenda. This kind of architecture is able to ironically take advantage of the gap between Avant-Garde aspirations and reality, so as to incorporate the concept of multiplicities in the design strategies.

這個由Giacomo Pala設計的項目試圖開展關于多個對象相互矛盾的可能性的調查。這個設計不是單一的對象本體，而是一個支持所有建筑實證主義的“Motley Ontologies”體系結構。這是一個在前衛議程內引發諷刺，諷刺和自我戲仿的學科概念的體系結構。這種架構能夠諷刺地利用先鋒派渴望與現實之間的差距，以便在設計策略中融入多重性概念。

This architectural, theoretical and critical investigation takes place in the Pruitt-Igoe. The project’s gound is not the (in)famous district of Saint-Louis, Missouri. It is a theoretical ground. The real context is Jencks’s sentence about this place. In my project, Pruitt-Igoe is once again the set where modernisms’ drama takes place. A drama about the simultaneous and incongruent layering of two ontologies which produces the possibility of a different architectural condition.

這一建筑，理論和關鍵調查發生在Pruitt-Igoe。該項目的土地不是密蘇里州圣路易斯（著名）地區。這是一個理論基礎。真正的背景是詹克斯對這個地方的判斷。在我的項目中，Pruitt-Igoe再次成為現代主義戲劇發生的場景。關于兩種本體的同時和不一致分層的戲劇，其產生了不同建筑條件的可能性。